Painting allowed me to enter the scene on the canvas. This was a new way into the second world of my imagination, and when I had penetrated the most “ beautiful” part of that world- when the painting was all but done – a strange ecstasy would overtake me. The vision shimmering before me looked real. I would forget that I had painted a Bosphorus scene that everyone knew and loved; this was a wondrous thing of my own imagination. The joy I felt upon finishing a painting was so great that I wanted to touch it, pick out some detail to embrace, even to take it into my mouth, bite it, eat it. If something got in the way of this fantasy, if I did not quite lose myself in my painting, if (as happened more and more often) the first world intruded to ruin my childish game, I’d be overcome by an urge to masturbate.
Mohd Foad Hassan was born in 1964 in Johor Bahru and currently teaches fine art at the Limkokwing University of Creative Technology. His favorite subjects are human figures and landscape (both natural and human-made). Foad Hassan is an artist of outstanding experience, talent and versatility. His brash brush strokes serve, ironically, to highlight the gentle and poignant features of the Malaysian landscape.
Jemputan
Limpahan Nikmat
Membisik
Midcity After Hours
Monsoon Mist at Fraser’s Hill
Percaya
Restu
Rhapsodi
Seindah
Setia